The Un-Natural

It's Major League Opening Day! "Let's play two!"

As part of its annual celebration of the return of baseball, ESPN last night ran a tribute by major league baseball players to the Robert Redford movie, "The Natural." It was very enjoyable to watch, but what it didn't say left me feeling sad.

Don't get me wrong. I love that movie. It has wonderful cinematography, a marvelous score (by Randy Newman), a great story, great acting, the mythology of baseball, and a happy ending. Everything that makes a film timeless, a classic.

And it's exceedingly understandable why so many major leaguers like it. Heck, why so many Americans of all stripes like it. Americans love movies with happy endings, movies where the hero triumphs.

But it's not true to the book by Bernard Malamud on which it was based. That makes me sad because in its original configuration, it tells a story with a message just as important for all of us to hear. In the book, you see, Roy Hobbs does not hit the game-winning home run. In the end, his old injury from having been shot reaches out and bites him, and he fails. His wound is a metaphor for his overwhelming pride in his abilities. Roy Hobbs never learned the folly of the sin of pride, and in the book he paid for it. In the movie, on the other hand, his pride was ultimately rewarded as he triumphed over physical adversity and hit the home run.

So viewers of the movie get the message that heroes triumph, and that pride is no great hindrance to success. And that's a dangerous message to send. If our present President had a little less pride (and stubbornness) and had more ability to reflect on things, we would not be in the mess we're in in Iraq. That "heroes succeed" message pervades almost all of American thinking, and it can make Americans behave recklessly when they are sure of their own righteousness.

Lest you think this changing of the ending from book to movie is an aberration, let me assure you: it is not. Consider "Pretty Woman" if you don't believe me. In the original story, the businessman does NOT come back to rescue the prostitute with the heart of gold, and she winds up killing herself. But Americans LOVE that happy ending, so the movie had to change the ending in order to succeed. I don't care who was in the cast--if the movie had had the same ending as the book did, it would not have made money.

The larger inference, which can be drawn from any number of examples beyond the two I've mentioned here, is that Americans not only do not like unhappy endings, Americans just plain dislike reality.

"Don't confuse me with the facts. I've made up my mind." That's the new American motto, and it does not speak well for us or for our collective survival in this dangerous world.